2016’s Doom was a very pleasant surprise to many including myself. I loved it; it was easily one of the best games of 2016 with only Overwatch beating it to the number one spot. I was looking forward to Doom Eternal until I heard the impressions from other Doom (2016) fans. As a result of the less than glowing impressions, I held off Doom Eternal until it made its way to Xbox Game Pass and received its ray tracing update for Xbox Series X. With a fresh coat of paint, enough time for the post launch dust to settle, I was ready to find out if Doom Eternal was a worthy sequel to one of my favorite games from the last generation.
First impressions started very positively, but was quickly complicated by the nonsense of a story and over-complication of ideas. I was not a fan of the story, lore, or any of the Doom Slayer, Khan Maykr gibberish they were putting forth. I missed the singular foe for whom the Doom Slayer to focus his energy on. Instead I was subjected to lore that I didn’t want any part of.
Following the footsteps of the original Doom II, Doom: Eternal starts off on Earth. The demons landed on Earth, overran the humans, and it’s up to silent space marine to clear them out. Unfortunately, just like Doom II, I missed the cohesion and sense of progress from place to place. Hopping around the Earth looking for some demon priests was underwhelming in comparison. This was especially true considering how they stitched everything together via the “Fortress of Doom” ship which felt like a giant time waster.
I understand the desire to give the Doom Slayer a place to hang out and display his collectible Funko Pop knockoffs and other useless records that he picked up, but it dampened any momentum the game tried to muster. I wish I could ignore the ship, but they decided to stuff that place full of upgrades.
There were too many upgrades and too many currencies to collect to unlock said upgrades — it was ridiculous and excessive. Weapon points, batteries, two different coins, and crystals? Are you serious? Add the unlockable cheat codes, soundtracks, and the Funko Pop knockoffs mentioned earlier and I’m finding myself checking the map screen every time I step into a new room.
The idea behind shooting off armaments off demons to alter their behaviour and reduce their threat profile sounds like a good idea in theory. It adds a layer of depth that Doom (2016) didn’t have, but at the same time, it made certain weapons indispensable. The Heavy Cannon was always in Precision shot mode and the Shotgun’s secondary was always lobbing grenades; it didn’t make any sense to move off those weapon modes. The added depth came at a cost which was all, but requiring me to play a Doom game with a scoped weapon. That was blasphemous and I wish I could play Doom Eternal without engaging with that mechanic, but it was somewhat necessary on Ultra-Violence difficulty.
The higher difficulty forced me to come to grips with the full gamut of gameplay mechanics quite quickly. Two types of grenades, super punches, flamethrowers, and dashes were required to tame the demons. Staying on top of ability cooldowns to dispense a steady stream of damage and regularly harvesting resources resource reclamation would eventually yield success. Extra lives found throughout the levels can bail me out of a jam, but they were not absolutely necessary once I was fully kitted.
I think the inclusion of the Marauder; a demon that can block the BFG9000 was the antithesis of fun and was the summation of everything I disliked about Doom Eternal. It swatted the most powerful abilities in the game away and reduced me to playing Simon with it. It’s one of the lamest looking enemies to come out of id Software with the most jarring stagger sound and animation. It wasn’t impossible to deal with a Maurader; it was annoying. Topping it all off, I took a peek at the backstory and it was whole lot of nonsense about betrayals and nothing particularly rad.
It’s funny how my feelings for Doom (2016) to Doom Eternal resembled those from Doom I to Doom II; I liked both original outings more than their respective sequels. Doom II and Doom Eternal felt like games that were made to challenge fans of the original and not necessarily make it more fun. Unlike Doom II, Doom Eternal went too far in a number of areas that detracted from what made the original so good. I realized that the further I got into the game, the shorter my play sessions became and by the end, I was yearning for credits and end my time with this game. Eternal? No, thanks.
I don’t like it