Checkpoint: Phantom of the Opera 2018 Edition

Canada Day 2018 is upon us. This is the first year that I will be spending portions of it in different cities. I’m currently in Toronto but will be heading back home on the big day.

We headed into Toronto earlier for my first ever theatre musical experience. Cameron Mackintosh’s take of Phantom of the Opera was an amazing spectacle. But despite the fact that I never saw a theatre musical like this, I knew this was a production that was meant to woo newcomers and modern simpletons like myself. It was a mesmerizing experience filled with elaborate stage transitions, loud music, and over the top acting. I felt the production communicated the tone and setting more than the actors which is fine for folks like myself but I can certainly see why veterans of the musical would prefer that the actors and actresses were the highlights. 

I didn’t come away discussing the drama that unfolded. I came away praising the set pieces, the production, the organized chaos, and wondering how they pulled off such a show. The people involved were captivating but I wasn’t drawn into to any of their performances like I was with the production itself.

We paid just over $110 per ticket and I thought it was well worth the price of admission. Now I’m wondering how i can transition to another theatre experience without being immediately disappointed by it. I want a fun auditory and visual experience but I also know it’s not fair to expect all musicals to be like this. 

Checkpoint: CBC Edition

I’ve been listening to a lot of Chinese pop music lately. I was inspired to go down this rabbit hole after I was shared a modern song and noticed how similar the music style and how coherent the occasional English lyrics were. I just had to know how much has changed since the late 1990s and early 2000s. I used to listen to Chinese pop music around that time — putting popular Hong Kong songs into my MD Player.

It always seemed off way back then. Now the beats and musical style aligns so closely to western tastes, that the only differentiator is language. Even how artists use English lyrics have improved tremendously. In the past, English lyrics were strewn in an incoherent manner. They were used as buzz words and uttered with thick accents. Now? I can listen to a song from Ztao and Wiz Khalifa. What a weird world. 

I was also inspired to get in touch with my Chinese side. I’m a Canadian Born Chinese and my comprehension of Mandarin has slipped into oblivion. It’s tough for me to even pick out words I recognize anymore. But listening to this music for the past few days has helped. I can pick out more and more words and maybe I’ll be able to actually relearn what I’ve forgotten. I was never great in the first place but I feel like I should put in more of an effort to at least get listening comprehension back to a basic level. 

So what do I think of what I’ve listened to thus far? Much of it was sourced from Spotify playlists and I’ve really enjoyed the melodies. I can’t say I understand an entire song yet but that’s alright. I’m hoping it gets better with time. I really wish my comprehension was better immediately because I would love to know what Chinese rap is all about. It sounds cringeworthy and I want to know if it’s warranted.

Checkpoint: Kanye Edition

Every once in a while, I get inspired to do a deep a dive into a single artist’s discography. With some artists, I listen to several of their most popular albums while others I tackle their entire catalog. I usually listen to their work for 3 or 4 days. I listen to their works chronologically and then hop around trying to render a verdict on each album. I’ve done this with a couple of Adele’s albums in the past. I’ve done it with Bruce Springesteen but never really veered away from Born in the U.S.A. 

This time’s I’m doing a deep dive on Kanye West’s work. I recognize many of his singles but I never actually listened to an entire album save one — My Beautiful Dark Twisted Fantasy. I’m well aware of the artist’s praise and criticisms but I never dug into if they were justified one way or the other. I’m well aware of the hate he gets for bringing auto tune into mainstream pop. The same goes for his gargantuan ego. 

How much of this is reflected in the music? Did he started with a big head? How bad was the auto tune really? The only way to find out was to listen to all his solo studio albums.

The College Drop Out (2004)

I didn’t realize how old Kanye West’s first album was. (I recognized West for his work around 2005-2006 with “Gold Digger”.) It’s amazing how much of an old school 1980s hip hop vibe this album has. The album has its fair share of decent skits which makes or break an “album” for me. Many of the tracks detail more grounded stories like working part-time jobs, getting high, faith and young love. While there’s confidence, the ego he’s known for today is virtually non-existent here. It’s the definition of humble beginnings which was exemplified by the final track “Last Call” where he shares the story of how he was given his big break. 

Late Registration (2005)

Gold Digger put Kanye West the map for me and its easily top 3 material from his “college trilogy” of albums. While The College Dropout had some solid singles, as an album, I didn’t find it as an enjoyable of a listen. Late Registration showed refinement in album compilation; the skits were far more entertaining and stitched the entire album together far more cohesively than the last one. West shares more life advice in this album but I noticed how some of it isn’t relevant to the every man as the stories in his last album. I guess it’s reflective of his current position in life at this time and he’s just sharing the lessons learned as he rises up in fame and fortune. What I did appreciate most about this album was how assertive West was with his commentary in tracks like “Diamonds from Sierra Leone”, “Crack Music”, and “Roses”. 

Graduation (2007)

Graduation is a fitting name for the album. Gone are the skits found in the last two albums that stitched song to song. Now the album twists and turns on West’s whim; moving from “Champion” to “Stronger” and reemerging with “I Wonder” was unexpected and awesome. For better or worse, the stories and messages were muddied by fantastic beats and catchy lyrics. The album was a very enjoyable listen despite the lack of cohesive flow and the fact that I found “Drunk and Hot Girls” creepy. 

808s & Heartbreak (2008)

This album has its detractors — many jumped off the Kanye West train here — it’s a huge departure from his previous works with its reliance on autotune and overall somber tone. It’s easy to dismiss the auto tune as a cheap stylistic tactic but I found it worked together with the lyrics and tone. Everything from “Say You Will” to “Paranoid” was assembled masterfully. It sets such a cohesive tone and mood unlike anything West put forth prior. I love the audacity of just letting the drums in “Say You Will” go on and on before getting into the album proper. Then subsequent tracks takes you through from heartbreak to recovery and reflection. But then “RoboCop” hits and that song is just terribly cheesy and the rest of the album never recovers its footing.

My Beautiful Dark Twisted Fantasy (2010)

This is peak Kanye West. The confidence, the ego, the beats and lyrics all exude what I think of West at his best. It’s not the most insightful of his albums but it’s so consistent in quality that I am never tempted to skip a single track. He’s more full of himself than the other albums with tracks like “Power” and “Monster” but I take it as bravado and confidence than an egotistical maniac. We’re far beyond the point of relatable issues with West but I still appreciate that he gets a little reflective about his life in the spotlight with “All of the Lights” and “So Appalled”. He even gets a little weird with the back half of “Runaway” delving into aural territory his next album goes all in on. 

P.S – The censored cover is superior. 

Yeezus (2013)

Everything about this album embodies what people hate about Kanye West. Everything from the album title, to tracks like “I Am A God”, to the vicious assault to the ears with grating electronica. I cannot relate or admire anything that he’s laid out in this album. I suppose I can give him credit for embracing himself, taking a dump and pressing it into a compact disc but that’s it. 

Life of Pablo (2016)

“I Love Kanye” encapsulates how I feel about this album. It sounds like Kanye’s just having fun with this album. It’s all over the place from both a style and substance standpoint but it works and coming from Yeezus, it feels like a return to form. In an alternate timeline, this feels like the album that would logically emerge after “Graduation”. “Real Friends” manages to humanize the now eccentric and egotistical celebrity. He also samples Street Fighter II sound effects, so how bad can it really be? 

Ranking The Albums

  1. My Beautiful Dark Twisted Fantasy
  2. Graduation
  3. Late Registration
  4. 808s & Heartbreak
  5. The Life of Pablo
  6. The College Dropout
  7. Yeezus

It looks like I’m underrating “The College Dropout” but I am approaching the album as a whole and I just don’t like skits very much. And as much as I appreciate him telling his beginnings in “The Last Call”, I always end the album early when I reach it. “Yeezus” should be ranked lower (11th place even) — that’s how much I dislike it. “808s & Heartbreak” is so high because I love the first six tracks that much. Those six tracks are so good that I would put up with listening to the rest out of the album just so I can listen the first six tracks. 

After listening to his discography multiple times, I came away with a few key takeaways:

  • If you remove “Yeezus”, his entire discography is consistently good. 
  • Besides “The College Dropout” and “Late Registration”, every other album feels different from the last. (While still considered part of the “college trilogy”, “Graduation” felt like he was beginning to shed off what made him at the time.)
  • He LOVES Louis Vuitton with how many times he mentions the brand. 
  • Love it or hate it, Kanye West pushed the boundaries of what is a hip hop album.
  • Not a single homophobic slur could be heard in any of his music which is rare considering its prevalence in hip hop. Good for him!

Am I fan of Kanye West now? I didn’t hate him or his music before this. I always enjoyed the singles that made its way into top 50 radio. At one point, the artist’s antics overshadowed the art but now that the dust has settled: I’m a bigger fan. 

Checkpoint: Bach & Dates Edition

If someone told me last month that I would be attending Johann Sebastian Bach recitals with a female friend and by lonesome, I would have my doubts. If I someone told me last month that I lined up 3 dates in 5 days with hopes a 4th date sooner or later, I would have called them a liar. 

I attended the first two of Angela Hewitt’s Bach Odyssey recitals. Thursday was with a friend and while it was a bit of a slow start, it ended strong which left me wanting more. The majority of Bach Odyssey I consisted of Bach’s “inventions” which were interesting at times but ultimately very erratic for someone who’s looking for something livelier and more substantial. Inventions were made for students to practice and it was evident why they’re not normally played in public. The two-part inventions were a bit boring at times. The three-part inventions were livelier. 

The recital ended on a high note and left me wanting to attend the second recital. Unfortunately the friend whom I attended the first one with had to go home for her friend’s wedding. I didn’t want to go solo but fortunately, I had a first date lined up on Friday who may have been open to the idea. To my surprise, my date was well versed in classical music and a big fan of the arts in general. Unfortunately she had a prior engagement and couldn’t attend. But she did insist that I attend by my lonesome regardless and I’m glad I took her advice. 

Bach Odyssey II consisted of the composer’s “French Suites” which were a whole lot more entertaining and intriguing than the inventions of the first. My appreciation for the piano and pianists grew ten fold after watching Angela Hewitt crush each and every suite. I never fully appreciated how a single person can play such complex music with just two hands. It was an entertaining performance throughout. 

Friday’s date was overall a success despite my doubts of a romantic relationship developing. I found her fascinating and we had some very thought provoking conversations about our lives and perspectives. I have every intention to see her again; I hope she feels the same — if only as friends. My doubts for something more stems from the fact that we’re just so different in our thinking and our lifestyles. Seemingly the only things we have in common are the fact that we’re both asians and a bit introverted. I have additional dates on Monday and Tuesday. I honestly don’t have high hopes and neither are with the one I’m keen on meeting but instead of dwelling on that fact, I just gotta keep moving. 

I’m still playing Yakuza 0. If I’m going to finish this game, I ought to stop doing the lengthy but enjoyable side content. 

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