Checkpoint: E3 2018 Edition

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E3 2018’s press conferences are finally over. I actually liked that the big publishers and platform holders got out of the way of each other and spread out a bit.

It gave me more time to digest it all and meant I was spending less time binging on the barrage of news and announcements that didn’t leak beforehand.

There were many leaks this year including one from Walmart Canada that spoiled so many publisher’s fun. It didn’t spoil my fun though, knowing a game’s existence isn’t the same as seeing the titles in action.

With that in mind, here are some thoughts I had on the press conferences that I watched since Saturday, June 9th.

I graded them with entertainment, news, and games shown in mind. Was it a fun watch? Despite leaks, did they shed light on anything interesting? Did they show games that I wanted to play?

Electronic Arts

Electronic Arts’ press conference was awkward. It was good to see Anthem in action but they took such a long time fluffing it up.

The Battlefield V was a looker but I have very little desire to revisit realistic World War II shooters like Battlefield V or Call of Duty: WW2. Maybe I’ll give it a go when a multiplayer beta hits but as of right now? It’s a non-starter for me.

No one is expecting Electronic Arts to make a real-time strategy game in 2018. So what can EA do? A MOBA? They tried in 2014 with Dawngate. So seeing Command & Conquer Rivals in action makes a lot of sense to me and it was the big surprise coming out of EA’s event. And that’s disappointing.

The reveal of Origin Access Premier and a peculiar interview with Vince Zampella about his team’s upcoming Star Wars game does not make up for the fact that EA’s offerings were poor this year.

D-

Microsoft

Microsoft brought it this year. They’ve been refining their formula for the last couple of E3’s but I felt they nailed it when came to reassuring people that Microsoft is committed to the Xbox brand. I don’t know if announcing sequels to familiar first party properties is enough to sell people on the idea of buying an Xbox One but their future looks brighter with their recent studio acquisitions.

But if you ignore hardware sales angle and focus on reasons to subscribe to Xbox Game Pass, I think Microsoft did a bang up job.

Forza Horizon 4 looks like a spiritual successor to Test Drive Unlimited which is very intriguing. Gears 5 looks to continue the strong start of Gears 4. Crackdown 3 looks like dumb fun. And Ori and the Will of the Wisps is shaping up to be a fantastic sequel to one of my favorite games of the generation.

There will be another Halo game named Halo: Infinite. Not much else to say about that trailer besides that it looks pretty. Gears Tactics (title pending) looks like a match made in heaven; combining Gears of War with XCOM style gameplay sounds phenomenal.

Although they weren’t exclusives, the reveal of Devil May Cry 5, Cyberpunk 2077, The Division 2 and longer looks at titles like Kingdom Hearts III made for a very entertaining showcase.

They showed games and lots of them!

A

Bethesda

Bethesda sold me on RAGE 2 which I didn’t think was possible after the weird reveal. Did we need another post-apocalyptic title? Well, it turns out the answer is “yes” if they’re invoking the frantic pace of Doom (2016).

Teasing the existence of Doom: Eternal was welcomed and so was the reveal that they’re bringing out more Wolfenstein content with Wolfenstein: Young Blood. They also reminded me that I haven’t played Wolfenstein: The New Colossus yet which is shameful of me.

I doubt I’ll pick up Fallout 76 but seeing it in action was interesting. Were they going to ape other survival games? How much “traditional” Fallout are we going to see in this? It’s not going to be just another Fallout game which is intriguing for me but it may not be everyone’s cup of tea.

The super early teasers for Bethesda Game Studio’s upcoming projects: Starfield and The Elder Scrolls VI were a bit awkward. They sound very far off and I’m not sure why they needed to tease both of those titles so early.

C+

Ubisoft

Ubisoft knew how to have fun with their dance number for Just Dance. I thought that was a fun way to acknowledge that game’s existence.

I don’t know what to make of the Beyond Good & Evil 2 trailer. The CG trailer looks like a sales pitch to recruit the community to help generate assets for the game. I want to know how those assets are going to be used and if there’s a worthwhile game in there.

The Division 2 and Assassin’s Creed: Odyssey are known quantities. They look like newer and shinier versions of the games you may or may not like. I’m partial to The Division so more of it is okay with me. AC:O looks very pretty. Almost enough to entice me back.

I like seeing games continue receiving support but after Bethesda’s showcase, I was growing tired of seeing games I don’t play being trotted out again. I can’t say I’m particularly fond of seeing repeat appearances for games I like.

C

Square Enix

Speaking of known quantities, here’s Square-Enix showing off Kingdom Hearts III again. Little did we know, there would be three trailers shown across three press conferences. (Microsoft, Square, and Sony). I am not against this game but that’s a lot.

Shadow of the Tomb Raider looks like more of the same and since I haven’t even played Rise of the Tomb Raider yet, I don’t know if I want that. She looked like a ruthless killer though and a far cry from that reluctant heroine from Tomb Raider (2013).

Dragon Quest XI looks very pretty and it would be on my list of games to pre-order but I just started Dragon Quest VIII and barely put a dent in it.

Square Enix showed a lot of known quantities and while some resonated with me, I just didn’t see why they waited until E3 to reveal these.

C-

Sony

I missed the first half hour of Sony’s which meant I missed The Last of Us: Part II. That’s fine because I don’t need to be convinced to buy that game. I was already sold. Just like I was more or less already sold on Spider-man.

Ghosts of Tsushima was the big reveal and I thought Sucker Punch did one hell of a job with that demo. I was impressed with the reveal but I’m curious how it plays.

Death Stranding was weird and I’m sure it will abide with some internal logic that Kojima stitched together. I just hope this game is more than celebrity guest stars doing weird things.

Seeing Resident Evil 2 remake in action was eye opening because of how much effort Capcom is putting into this and seemingly nailing it.

Remedy Games are making another time manipulation third person shooter but this time it stars a red haired woman. I’m in. It reminds me of Quantum Break (which I haven’t played yet) but without all the bad TV science fiction.

In many ways, Sony followed Microsoft’s event but instead of showing new installment to the same old franchises. They showed off more of the same game that we’ve already seen. Death Stranding is just as weird as when we saw it last year. The Last of Us: Part II is still the Last of Us. And Spider-man is still Spider-man. They showed well and I will likely play them all but they’re still known quantities.

B-

Nintendo

Nintendo was the most disappointing only because it looks like their software lineup looks barren compared to last year’s. A new Fire Emblem, Super Mario Party, and another Smash Brothers with every single character should be enough for most folks but they’re not Super Mario Odyssey and Breath of the Wild.

Spending so much time on Smash Bros. Ultimate was exhausting. I can appreciate the changes they made but I don’t play Smash Bros. often enough to even notice. It seems like they were pitching to a very specific demographic of the Smash fanbase and that’s just a very weird thing to do on the “big stage”.

I will likely pick up Super Mario Party just to have a nice party game. And the same with Smash Bros. Ultimate but their lineup so far feels lacking from a first party perspective.

On the plus side, the release of Fortnite on Switch did out Sony for being scum bags on cross play.

C

A Decent E3

It was a decent showing as far as the press conferences are concerned. Lots of promising titles on the horizon and many of them debuting early next year. I doubt I will have time play all of them but this is a good problem to have.

Nier: Automata PS4 Review

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I like the idea behind Nier: Automata more than the actual game itself. I like feeling and vibe that Square Enix and Platinum Games were going for but I could have done without the tedium. I would rather hear someone tell tales of the ridiculous things that Yoko Taro and company went attempted in this game than actually experiencing it for myself. Because the action and moment to moment gameplay powering Nier: Automata was tedious, mindless and — if developers were being honest with themselves — not the point of Nier: Automata.

What is the meaning of life? What is the point of living? What does it mean to be human? Why were the androids in this game programmed to feel? How are they different from humans? Nier: Automata was about raising questions from the player and it does that very well. One standout question tied directly to the conceit that I had to play the game multiple times in order to unlock true endings. I had to put up with a repeated content and tedious activities in order to get to the “good” stuff. And I did. I didn’t retread with 999 nor the original Nier but I dove back into Nier: Automata to unlock the multiple endings and see if the outcome was worth the journey. 

I was underwhelmed.

Perhaps it’s because I already knew the answer but what was the point of this 43 hour journey? The combat was much improved compared to the first Nier but it pales in comparison to Platinum Games’ proper efforts like Bayonetta or Metal Gear Rising. The music was wonderful but I derived more enjoyment from listening to it on the way to work than in the game. And while there were amazing vistas and ideas drip fed to me throughout the game, the bulk of it was in the end and by the time I witnessed said ideas, I already checked out.

I wished I liked Nier: Automata more. It’s stylish, it has wonderful ideas and provokes discussion but I would have been happier without 10-15 hours less fluff. Or perhaps that fluff was essential to conveying their message. I’m not certain. Maybe or maybe not but in the end of the day, I was hoping to play a more engaging game to go along with all that wackiness.

Verdict:
It was okay

Ratings Guide

Dragon Quest VII: Fragments of the Forgotten Past Review

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I tried to play Dragon Quest VIII back in the PlayStation 2 days but the stark contrast between it and the flashier Final Fantasy titles made it tough for me to appreciate it. It wouldn’t be until Dragon Quest IX that I gave this Japanese roleplaying game juggernaut its fair shake. It turned out that I really enjoyed playing Dragon Quest on a handheld. I enjoyed the DQIX so much that I pre-ordered both Dragon Quest VII and Dragon Quest VIII releases on the Nintendo 3DS. I had an inkling what I was getting myself into but I really didn’t know.

It took me just over 85 hours to finish Dragon Quest VII: Fragments of the Forgotten Past. That’s a lot of time for a single player title. The last game role playing game that I invested that much time in was The Witcher 3: Wild Hunt but that was broken up into two giant stints. The DQVII cart was permanently entrenched in my Nintendo 3DS for months as I gathered fragments and witnessed some of the most depressing scenarios in a JRPG.

As conventional as the turn based combat was, the story and the long journey that accompanied it was anything but. The journey began with the son of a fisherman and a prince named Kiefer stumbling into an ancient temple that opened gateways into the past. Apparently the world was a much bigger place with islands and continents all over. The duo would eventually be joined by a local mayor’s daughter, Maribel, and together they gathered the necessary stone fragments to reassemble the lost islands. The assembled stone fragments opened portals to the past which inevitably enabled the trio to restore said islands in the present.

A  mysterious calamity in the past doomed each kingdom/island/continent and it was up to the trio to defeat the evil that was responsible make the world whole again. I found it to be a very novel and interesting means of gating access to the world without relying on traditional transportation barriers.

Each island/area was like a little vignette of woe. One island was plagued with terrible rains that turned people into stone. Another was essentially Groundhog Day. And one of the most depressing ones featured a cursed town that had newborn babes turn into demons and running away. As I solved each area’s problems, I learned more and more about the ultimate evil responsible which undoubtedly resulted in a confrontation with said baddie.

Dealing with the sad stories and disheartening circumstances in the past often produced positive results in the present but for a majority of the time they didn’t have real consequences for me or my crew. So when a party member chose to remain in the past and I lost access to him, I actually missed the brute. In fact, by the end of the game, it was possible for the protagonist to be the sole original member duking it out with the big bad Demon King. It was a very unorthodox experience because you just don’t see RPGs, let alone, JRPGs make drastic changes to its lineup part way through the journey. Maribel stepped away from the grand adventure to be with her ailing father for a while and, for the longest time, I was wondering if I would ever see the cross eyed ball buster again.

I accepted the introduction of the fourth character, Ruff, and I tolerated Mervyn’s inclusion into the lineup but the final character, Aishe, was handled poorly. I felt she was thrusted into the limelight because of her heritage and I was supposed to immediately connect with her for that reason alone.

Although I missed the original members for their personalities, I also missed them because I invested so much time developing their classes. Being forced to start a new classes with new characters whom I didn’t really connect with was a bit of a chore. It was doubly worse because I couldn’t easily change classes without warping to Alltrades Abbey and talk to this one specific NPC in the present day.

There weren’t random encounters (except for in this one specific area) but combat was primarily a breeze thanks to the inclusion of A.I behavior. It was like a Final Fantasy XII-lite where I set certain characters to focus on healing while others fought “wisely”. It made thumbing through normal battles easy as pie so I didn’t have to page through the countless abilities and spells that I’ve learned.

The victory lap after defeating the big bad Demon King captured my feelings of Dragon Quest VII: Fragments of a Forgotten Past perfectly. It was charming, filled with warm fuzzy feelings and I wanted it to pick up the pace. And yet, at the same time, I was surprised by the fact that I was an active participant in this victory lap. Dragon Quest VII was a long journey and, in the end, it’s one that I won’t soon forget.

Verdict:
I liked it

Ratings Guide

Checkpoint: British Voices Edition

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I somehow ended up starting two games with heavy doses of British voice acting. After putting Theatrhythm Final Fantasy: Curtain Call on pause, I decided to use my recently acquired New Nintendo 3DS XL’s added power and start Xenoblade Chronicles 3D. I didn’t realize the English localization was performed by Nintendo of Europe. I’m not sure why but It was weird at first to hear so much British-isms in a JRPG. I feel like most of my exposure to British voice acting was restricted to the Assassin’s Creed and Professor Layton titles for a long time. I didn’t think I’ll enjoy the game after the first hour but after that opening “moment”, I was invested.

After wrapping up Halo 5: Guardians, I wanted to check out Everybody’s Gone to the Rapture. I picked it up because it was cheap and as a fan of Dear Esther. Again, I didn’t realize it was set in a small English village with some of very talented voice work. It’s unfortunate that I enjoyed everything but the interactions with the game which is a problem for a game. Moving at a snail’s pace doesn’t help this game’s momentum at all.

I’m sure if Lara Croft Go featured voice acting, I would be hearing her English accent. It didn’t need it though. I had high expectations for this title and Square Enix Montreal exceeded them. It was a short game but it was very very sweet.

 

 

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